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上传于:2016-03-22

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188宝金博页面版: Makars’ Court A literary celebration in stone

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内容提示: Makars’ Court A literary celebration in stone I ntroduction Makars’ Court at The Writers’ Museum celebrates the lives and works of Scottish writers. The Scots word Makar stresses the role of the poet or author as a skilled and versatile worker in the craft of writing. This ongoing project to celebrate the lives and works of Scottish writers was conceived in 1997, growing out of a desire to broaden the remit of The Writers’ Museum and coinciding with the International Conference of PEN (Poets, Ess...

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Makars’ Court A literary celebration in stone I ntroduction Makars’ Court at The Writers’ Museum celebrates the lives and works of Scottish writers. The Scots word Makar stresses the role of the poet or author as a skilled and versatile worker in the craft of writing. This ongoing project to celebrate the lives and works of Scottish writers was conceived in 1997, growing out of a desire to broaden the remit of The Writers’ Museum and coinciding with the International Conference of PEN (Poets, Essayists and Novelists) which was being held in Edinburgh that summer. Selected by the Saltire Society, the first twelve writers and quotations were sponsored by Lothian and Edinburgh Enterprise Ltd (LEEL) in association with the City of Edinburgh Council. The first stone, dedicated to the fourteenth century poet, John Barbour, was unveiled in 1997 by Ronald Harwood, President of International PEN. In 1998 the next eleven stones, representing Scotland’s main literary languages - Scots, Latin, Gaelic and English - and ranging in date from Robert Henryson to Sorley MacLean, were unveiled by the poet Iain Crichton Smith. Each of the writers is commemorated by a quotation inscribed in stone and set in the paving leading from both The Mound and the Lawnmarket to the door of The Writers’ Museum. The project was designed and implemented by Carter McGlynn, Landscape Architects. The original twelve stones were carved by David Lindsay and Graciella Ainsworth. All subsequent stones were carved by David Lindsay of Stoneworks. The enamel panel on the north wall of The Writers’ Museum, overlooking Makars’ Court, was designed by Kathleen Gibson and incorporates bas relief profiles, by Tim Chalk, of Robert Burns, Sir Walter Scott and Robert Louis Stevenson.

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